TRAGODIA SERIES

Tragodia II

Tragodia II is built around two architectural forms rather than costume — a spiked, filigreed crown recalling ironwork or coral, and a rose window, the kind found above a cathedral door. The face is marred across its surface, a network of fine cracks closer to old porcelain than skin.

Worn this way, the rose window no longer frames a view — it becomes the subject itself, the kind of promotion that happens to a detail once its context is gone. The tarnishing follows the same logic: not damage so much as evidence, time passing written onto the face directly.